Archive for February 2013

Endre Ady Memorial Museum

Endre Ady was, according to many, the greatest and most influential Hungarian poet of the 20th century. And although he is not my favourite poet, even I admit that his poetry, with its symbolic imagery or exquisite use of language, is supreme.

When we arrived to his memorial museum, I was surprised to see that it is not a separate building. The museum itself is one apartment in an old house. We had to ring the electric doorbell, then wait for someone to answer the phone and open the gate to let us in. I did not feel like I came to a museum at all, it rather felt like I visited a friend.







Endre Ady Memorial Museum - first floor


After we entered the building and were walking up the stairs I was thinking about how wonderful it may be to rent a flat in this house, and got immediately jealous of the current tenants. Not everyone can say that they live next to the apartment where this impeccable poet spent his last years and wrote his last poems.

The place itself is not too big, nor is it too small. Although only 3 rooms are perfectly preserved, it does not lessen the experience. The moment I stepped into the blue salon, its simple but sophisticated charm instantly got hold of me. We soon learned from the guide that every single detail in the apartment was designed and carefully planned by Ady's wife, Berta Boncza, also known as Csinszka. In fact she committed herself to create a perfect home for themselves and she dreamed of establishing an environment where her husband could peacefully devote himself to his work. This loving and peaceful atmosphere could be felt the whole time, as if we were taken back in time.


Csinszka and Ady

A portrait of Csinszka by Ödön Márffy


The furniture and style are simple but elegant, however, they seem almost minimalist compared to the splendor of the Róth memorial house we visited the same day. The apartment was not a luxurius residence, it was the private home of a couple. Maybe that is why this place provided a humbling but also a very real experience. Endre Ady, however influential or grand a poet, was a human being like us, who lived in a flat in Budapest, just like we do.

Maybe museums like this are not for everyone, but those who are fond of literature, like the turn of the century atmosphere of old houses, or have 30 minutes of free time in the city center, should not miss this experience.

Why visit?

- great intellectual experience for fans of literature or interior design
- the photo album in the blue salon includes never before seen pictures of Ady and Csinszka
- no crowd
- very cheap (500 HUF), especially for students (250 HUF)

Tips:

- for 400 HUF visitors can purchase a little booklet that includes everything there is to know about Ady (text in Hungarian, German and English)
- foreigners who would like a guided tour should call the museum in advance
- I strongly recommend my fellow treasure hunters to go and have a coffee in Café Centrál ( 2 minutes walk from the museum) , where Ady and other great poets/writers used to meet in the beginning of the 20th century


For those foreigners who have never read Ady before:

Endre Ady: I guard your eyes

 

With my old man's wrinkled hand,
with my old man's squinting eyes,
let me hold your lovely hand,
let me guard your lovely eyes.

Worlds have tumbled, through their fall
like a wild beast chased by fright
I came, and I on you did call
scared, I wait with you inside.

With my old man's wrinkled hand,
with my old man's squinting eyes,
let me hold your lovely hand,
let me guard your lovely eyes.

I do not know why, how long
can I thus remain for you -
but I hold your lovely hand
and I guard your lovely eyes.


Endre Ady: I am the son of King Gog of Magog

 

I am the son of King Gog of Magog,
I'm banging doors and walls to no avail -
yet I must ask this question as prologue:
may I weep in the grim Carpathian vale?

I came along Verecke's famous path,
old Magyar tunes still tear into my chest -
will it arouse your Lordships' righteous wrath
as I burst in with new songs from the West?'

Pour in my ears your molten liquid lead,
let me become the new Vazul of songs -
let me not hear the new songs you have bred:
Come, tread me down in furious, evil throngs!

But to the end, tortured, expecting nothing,
the song keeps soaring on its new-found wings:
even if cursed by a hundred Founding Fathers -
triumphant, new, Magyar, and true it rings.






Endre Ady Memorial Museum
1053 Budapest, 4-6 Veres Pálné Street
Wednesday-Sunday: 10 am - 5 pm

Location: 1053 Budapest, Veres Pálné utca, Magyarország
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Miksa Róth Memorial House

Miksa Róth, the master of stained glass windows and mosaics, was an internationally acclaimed Hungarian artist who worked for the Imperial and Royal Court. His marvellous creations can be seen all over the world: in Austria, the Netherlands, or even in a dome in Mexico.

Yet, for some reason, a lot of Hungarians ( that included me up until a few weeks ago) have no idea who this person was and what he had accomplished. It may be due to the lack of education in Hungarian secession, or inadequate advertising but unfortunately, Miksa Róth's art gets much less attention than it  would deserve; both in Hungary and on an international level. (Secession : an Austrian school of art and architecture parallel to the French art nouveau in the 1890s).

Exactly a week ago, together with my two companions we set out on a mission to get acquainted with Miksa Róth's lifework. His family's memorial house is situated not far from the Budapest Keleti Railway Station, in Nefelejcs street 26. The place can be found quite easily, except when 3 women (e.g. me and my companions) fail to look up their destination on a map, get off at the wrong station and end up having a long walk amidst the heavy snowfall. Oh well, what is a real adventure without a little exitement? However, I trust my fellow 'treasure hunters' to be better prepared and use Google maps before they leave home. 

Stained Glass Painter of the Imperial and Royal Court
After finding the building, I kindly advise future visitors not to enter right away and have a look at the gate, the plaque and the decorated metal plates on the facade. Even in a snowstorm or a massive downpour, this is a house where every little detail deserves to be noticed and appreciated. At the reception one can already see remarkable works of art, such as a fireplace embellished with mosaics or a card table from the turn of the century. A tiny gift shop is also at the visitors' service, in case they would like to buy greeting cards of their favourite glass paintings.



On the second floor is the exhibition itself, with three huge rooms (dining room, living room, and bedroom) perfectly preserved, and several halls to display Miksa Róth's most beautiful creations. For those who are eager to learn and want to get the most out of the experience I strongly suggest to read every word of the Exhibition Guide booklet, which the museum provides in English as well as in Hungarian.


Though visitors can guide themselves through the rooms easily, I have to remark upon the fact that the enthusiasm and warm welcome we received from the staff was unprecedented and made this visit an unforgettable one. Me and my friends ended up having a long conversation with a lovely museum guide lady, while sitting at Miksa Róth's living room table, in his chairs ( which are absolutely comfortable, if I might add). Now is the time to mention that nothing in these rooms is isolated, therefore visitors can admire the beauty of each and every object, furniture, and painting up close; touch the linens and the old curtains; and let this intimate atmosphere suck them in. Everyone will find something enchanting here: the walls crowded with paintings, the vitrines filled with personal artifacts, the gorgeously decorated fruit bowl on the living room table, or the ink bowl on Miksa Róth's desk, to mention a few favourites of mine. The halls with the paintings provide further pleasure. Those in love with secession will have, without a doubt, a once in a lifetime experience.


Nocturnal Landscape with Lilies
Saint Martin of Pannonia ( the patron saint of my village, Vámoscsalád)

Stained glass window with peacock motifs from the Alpár Mansion

I can honestly say that this memorial house visit was the finest cultural experience that I have encountered recently, including the Cézanne exhibition a few days before.




Why visit?
- stunning visual experience
- no crowd - intimate, charming atmosphere
- cheap

Tips:
- visit the memorial house without further preparation or research, to have an enthralling experience
- leave the exhibition hall on the ground floor for last


Miksa Róth Memorial House
District VII. - Nefelejcs street 26
Tuesday-Sunday: 2pm-6pm



(A big thanks to my friends for accompanying me on my treasure hunt, taking photos and scanning my greeting cards.)
Photos taken by: Dóra Szíjártó

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